Framed and on the wall
Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.
Peoples and Costume
Scene in the East Indies, Offerings to the Great Brahma, Engraving, circa 1820
£220
$290 · €260
Original print, not a reproduction
Ships worldwide from the Netherlands, insured and tracked. 14-day returns.
- Date
- circa 1820
- Technique
- Engraving
- Coloring
- Uncolored
- Condition
- Good. Good condition for its age. Light toning with a few small spots to the margins and light soiling along the edges. Please review the images for further condition details.
- Collection
- Peoples and Costume
- Period
- Raffles to the Cultivation System, 1800 to 1849
- Stock no.
- BG-14391-49
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
A grand ceremonial scene lettered "Scene in the East Indies" and "Offerings to the Great Brahma", with the imprint "London, Published by Thomas Kelly, Paternoster Row." The setting is a vast palace court enclosed by long two story arcades with pointed arches, entered at the left through a pavilion crowned by an onion dome. Before a curtained shrine at the top of a broad flight of steps, worshipers kneel and prostrate themselves, laying flowers and fruit on the ground, while elephants carrying canopied howdahs process across the court. In the foreground a great fringed canopy shelters richly dressed figures reclining on a carpet beside heaps of fruit, ewers and vases, with attendants standing by, and a fountain plays in a round basin at lower left. Beyond the walls rise palms, minarets, domes and distant mountains.
In the language of the time the East Indies meant India and the lands beyond it, and the naming of Brahma, the creator god of the Hindu trinity, reflects the way British publishers introduced Hindu belief to a general readership through the reports of travelers and officials of the East India Company. The composition, with its mixture of Mughal domes, Gothic arcades and theatrical drapery, is best seen as a European imagining of Indian ceremony rather than a record of a particular place.
Thomas Kelly of Paternoster Row was one of the most successful London publishers of part works, issuing illustrated geographies and histories of the wider world in weekly numbers. This plate carries his imprint without a street number or date, and its style places it around 1820. No artist or engraver is named.
The engraving is crisp, with fine work in the architecture and the massed figures. It will appeal to collectors of Indian subjects, of European views of the East and of Regency book illustration.
This is an original antique print, not a modern reproduction. This item is sold unframed.
